Program in Latino Studies

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Spring 2022 Courses

Latino/a/x Identity in Politics
Subject associations
LAO 305 / POL 429

In this seminar, you will read, discuss, and write about published and unpublished research from political science, psychology, and media studies to examine Latino/a/x identity in the U.S., and the ways in which electoral politics affects and is affected by this social identity. The class will situate Latino/a/x identity and its political targeting and mobilization in U.S. elections in comparison to that of other ethno-racial and religious identity groups. Similarities and differences between groups and their effects on politics will be considered to better understand the broader landscape of identity politics in U.S. elections and campaigns.

Ali A. Valenzuela
Latino Urban History
Subject associations
HIS 465 / LAO 465 / AMS 465

Using cities like Los Angeles, Chicago, New York, and Miami as case studies, this course seeks to understand the history of Latinos in urban places. Casting a geographically broad net and focusing largely on the 20th century, this course will comparatively analyze Latinos of different national origins (e.g. Mexican Americans, Cuban Americans, Puerto Ricans, Dominican Americans). In addition, the course will look at a broad cross-section of the Latino community to get at changing understandings of gender, class, race, and immigration status. This course will include readings from traditional historical monographs and autobiographies.

Rosina A. Lozano
Race Across the Americas
Subject associations
LAS 313 / ANT 313 / LAO 313 / AMS 305

This course explores transnational and diasporic formations of race in the Americas. Drawing on Ethnic Studies, Latin American Studies, and anthropological and historical approaches, we explore racial formations in Latin America and its transnational communities. A central goal for this course is to understand race and racial formations as culturally contextualized and situated within the politics of difference. How are U.S. racial-ethnic categories embraced, contested, or reconfigured across the Americas, and vice versa? Topics include multiculturalism, mestizaje, border thinking, transnationalism, and racial democracy among others.

Alberto E. Morales
Introduction to Latin American Cultures
Subject associations
SPA 222 / LAS 222 / LAO 222

An introduction to Latin American cultures and artistic and literary traditions through a wide spectrum of materials. We will discuss relevant issues in Latin American cultural, political, and social history, including the legacy of colonialism and indigenous resistance, the African diaspora, national fictions, popular and mass culture, gender and racial politics. Materials: essays by Ángel Rama, short stories by Julio Cortázar and Samanta Schweblin, poems by Afro-Cuban poet Nicolás Guillén and period Cuban son music; paintings by Mexican muralists, films by Patricio Guzmán and Jayro Bustamante, writings by indigenous activist Ailton Krenak.

Rachel L. Price
Spanish in the Community
Subject associations
SPA 304 / LAO 304

This course examines the paradoxical position of Spanish in the United States. The course aims to place the issues and controversies related to linguistic subordination and the maintenance of Spanish and in the broader context of Latino communities and their social and historical position in the United States. In addition, it tries to equip students with critical resources to address topics such as the relationship between language and identity, political debates around Spanish and English, and bilingualism and the processes of racialization of linguistic minorities.

Alberto Bruzos Moro
Autobiographical Storytelling
Subject associations
THR 340 / CWR 340 / GSS 446 / LAO 355

Every life delivers a story (or three) worth telling well. This workshop rehearses the writing and performance skills necessary to remake the raw material drawn from lived experience into compelling autobiographical storytelling. As we engage the thematic focus of "Princeton, History and Me," we will explore autobiographical storytelling as both a practice and a process as we also evince (and confront) the personal, moral, ethical and artistic dimensions of the stories we choose to tell about ourselves, about Princeton, and the stories that remain to be told about both.

Brian E. Herrera

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